4 [postcard] Portuguese Barbershop. A monochrome snapshot of a man being shaved in a barbershop. The photograph is dated April 1953 and is accredited to Michel Waldmann. Mum and dad had travelled to Portugal a lot around this time (2015), toying with the idea of selling up, renting a remote property there. They … Continue reading Mirror (4).
I rarely see myself in the day mirror anymore, having learned to disappear myself. The day mirror has become my third eye. The day mirror allows me to become magnificent, mercurial. I enter and leave it at will. Within its frame, I free range and, despite being close enough to kiss your ear, I look … Continue reading Mirror (1-3).
[close the aperture] three boys, at the tyne’s edge, sit, in silhouette, atop some metal structure that they should not be sat atop. a gang on a gangway. their legs hang beneath them. they have liberated one of the wreaths from the gravel of the nearby merchant seamans’ memorial. they talk measuredly, loudly, as they … Continue reading close to the aperture [close the aperture]
[another competition] october 1970. after assembly, as we filed from the hall, we were each presented a daffodil bulb wrapped in screwed-up newspaper. we were given, at the end of the day, a little plastic pot and a paper bag of soil. we were told to take all home, plant the bulb in the soil … Continue reading close to the aperture [another competition]
[applied to wax] bringing it all back home: subterranean homesick blues, lyrically, stands head & shoulders over almost any rocknroll number ever applied to wax, doesn’t it? it still brings a thrill to my heart & head & delivers a shiver across my shoulders, a glory to my nape, this very evening; perhaps now even … Continue reading close to the aperture [applied to wax]
[george] the shop was called 'the end' and had been for twenty five years. i remember though, in the beginning, for the five years before that, it was called 'scratch'. one warm evening in 2015, george, i & two former colleagues, both called philip (but known, separately, for reasons long lost to me - but … Continue reading close to the aperture [george]