Mirror (8): Pale Airman.

8      [photocopy of a snapshot] I cut Lillian's hair every twelfth week, dry it every sixth. It grows. I cut it. I dry it. It has become grey by increments; city pigeon to autumn noon, fading print to cigarette ash. Each accretion of tone slowly highlighting further her pink brittle cheeks, the pools … Continue reading Mirror (8): Pale Airman.

The Quite American.

It is a large, damp, sea-facing attic with a boxy bedroom, boxy bathroom, boxy kitchen. The walls bow beneath my palm. I best not get drunk. I move in and I make a pyramid of my belongings: how did they do that? On a shelf above the bath I find a paperback of Graham Greene's … Continue reading The Quite American.

The Unauthorised Biography of Ezra Maas (Daniel James, Dead Ink 2018) – review.

D. James' genre-mashing/-defying debut is described (rightly so) as a postmodern noir-detective story, but it reads as much more than this. It is a pseudo-biographic study of the elusive, mysterious, multimedia, avant-garde artist, Ezra Maas: one of the strangest artistic geniuses to almost emerge during the late 20th/early 21st century. For such a prolific figure … Continue reading The Unauthorised Biography of Ezra Maas (Daniel James, Dead Ink 2018) – review.